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Luis Seoane
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Outstanding work
En la Universidad le auguraron un futuro glorioso [As a University Student He Was Promised a Glorious Future]. Illustration from Paradojas de la torre de marfil
1952
Illustration from Fardel de eisilado [An Exile’s Knapsack]
1952
Seoane, Luis. Paradojas de la torre de marfil [Paradox of the Ivory Tower]
1952
Suburbio de Buenos Aires [Buenos Aires Suburb]
1952
Chos Malal
1951
Paisaje de la precordillera argentina [Landscape of the Argentine Precordillera]
1951
Paisaje de la precordillera argentina: orillas del Neuquén [Landscape of the Argentine Precordillera: the Neuquen Riverbank]
1951
Arenques y zapallito [Herrings and Courgette]
1950
Desnudo [Nude]
1950
El viejo y el pájaro [The Old Man and the Bird]
1950
Barcazas en el Támesis [Barges on the Thames]
1949
Los zuecos en la cabeza [Clogs on the Head]
1949
Maruja
1948
El vestido rosa [The Pink Dress]
1947
Paisaje urbano [Cityscape]
1947
La botella de anís escarchado [The Anisette Bottle]
1946
María Balteira. Woodcut from the book ‘María Pita e tres retratos medioevales’
1944
Mujer sentada [Seated Woman]
1944
Guaman Poma. Design by Luis Seoane
1943
Illustration for the book Homenaje a la Torre de Hércules [Homage to the Tower of Hercules]
1943
Illustration for Lorenzo Varela’s Torres de amor
1942
Manuel Antonio. De cuatro a cuatro. Design by Luis Seoane
1940
Novios en juego [Couple on the Line]
1939
Book of drawings Trece estampas de la traición [Thirteen Pictures of Treason]
1937
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En la Universidad le auguraron un futuro glorioso [As a University Student He Was Promised a Glorious Future]. Illustration from Paradojas de la torre de marfil
1952 Ink on paper, 51 x 41 cm.
Illustration from Fardel de eisilado [An Exile’s Knapsack]
1952 Ink on paper, 40,5 x 29,5 cm.
Seoane, Luis. Paradojas de la torre de marfil [Paradox of the Ivory Tower]
Buenos Aires, Botella al mar 1952
Suburbio de Buenos Aires [Buenos Aires Suburb]
1952 Oil on canvas, 46 x 55 cm
R384
Chos Malal
1951 Oil on canvas, 38 x 46 cm
R356
Paisaje de la precordillera argentina [Landscape of the Argentine Precordillera]
1951 Oil on canvas, 46 x 55 cm
R386
Paisaje de la precordillera argentina: orillas del Neuquén [Landscape of the Argentine Precordillera: the Neuquen Riverbank]
1951 Coloured pencil on paper, 33 x 44 cm.
Arenques y zapallito [Herrings and Courgette]
1950 Oil on canvas, 46 x 55 cm
R379
Desnudo [Nude]
1950 Oil on canvas, 73 x 60 cm
R6
El viejo y el pájaro [The Old Man and the Bird]
1950 Oil on canvas, 73 x 60 cm
R41
Barcazas en el Támesis [Barges on the Thames]
1949 Oil on cardboard, 28 x 42 cm.
R358
Los zuecos en la cabeza [Clogs on the Head]
1949 Oil on cardboard, 55 x 44 cm.
R31
Maruja
1948 Oil on canvas, 41 x 33 cm
R109
El vestido rosa [The Pink Dress]
1947 Oil on wood, 46 x 38 cm
R424
Paisaje urbano [Cityscape]
1947 Oil on wood, 38 x 46 cm
R402
La botella de anís escarchado [The Anisette Bottle]
1946 Oil on canvas, 55 x 46 cm
R33
María Balteira. Woodcut from the book ‘María Pita e tres retratos medioevales’
1944 Woodcut, 41,2 x 32,4 cm.
Mujer sentada [Seated Woman]
1944 Oil on panel, 50 x 40 cm
R347
Guaman Poma. Design by Luis Seoane
Buenos Aires, Nova. Colección Mar Dulce 1943
Illustration for the book Homenaje a la Torre de Hércules [Homage to the Tower of Hercules]
1943 Ink on paper, 36 x 51 cm.
Illustration for Lorenzo Varela’s Torres de amor
1942 Ink on paper, 45,2 x 31,5 cm.
Manuel Antonio. De cuatro a cuatro. Design by Luis Seoane
Buenos Aires, Emecé, colección Dorna 1940
Novios en juego [Couple on the Line]
1939 Linocut, 26 x 19 cm.
Book of drawings Trece estampas de la traición [Thirteen Pictures of Treason]
Buenos Aires - Montevideo, 1937